![]() In 1965, working with the production team of Bill Giant, Bernie Baum and Florence Kaye on the reactivated Bigtop label, Johnson recorded a vocal version of Sidney Bechet's instrumental hit of a few years earlier, " Petite Fleur", entitled "A Time to Love, A Time to Cry". 36 in late 1964, but was outsold by Adam Faith's cover version. In the UK Singles Chart, Johnson's version of "A Message to Martha" was his biggest hit, reaching No. Several of his records reached the Cashbox R&B Top 20 including "Always" peaking at No. " Reach Out for Me", " Message to Michael (Kentucky Bluebird)" (originally "A Message to Martha"), and "(There's) Always Something There to Remind Me" were all American hits, also produced by Bacharach and David, for Dionne Warwick. ![]() Johnson also recorded the original versions of several other Bacharach and David songs that later proved to be bigger hits for other musicians. In the United Kingdom, a cover version by English singer Sandie Shaw rose to number one on the British singles chart. In 1964, his original version of " (There's) Always Something There to Remind Me", with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston, reached No. Johnson signed to its successor label, Big Hill, and continued to record Bacharach and David songs. "Magic Potion" - the B side of "Reach Out For Me" was also written by Bacharach and David and became popular on the UK's Northern Soul scene, first being played at Manchester's Twisted Wheel club in the late 1960s. However, as it rose up the charts, the record company collapsed so limiting the record's success. 74 on the Billboard Hot 100 in late 1963. Neither that song nor his second record, "You Better Let Him Go", were hits, but his third single, "Reach Out for Me", also written by Bacharach and David and this time produced by Bacharach, reached No. There, he met the songwriting team of Burt Bacharach and Hal David, who wrote Johnson's first single, "If I Never Get to Love You". In 1962, Johnson signed as a solo singer with Bigtop Records, run by the Hill & Range music publishing company in the Brill Building. Johnson then formed a secular vocal group, the Canjoes, with Tresia Cleveland and Ann Gissendammer, recording "Dance the Boomerang" before Cleveland and Gissendanner left to become the Soul Sisters. He learned keyboards and percussion, forming a gospel group, the Zionettes, who recorded for Simpson Records and achieved some local success. Lou Johnson (Febru– May 1, 2019) was an American soul singer and pianist who was active as a recording artist in the 1960s and early 1970s.Ĭoming from a musical family, he started singing in gospel choirs in his teens, before studying music at Brooklyn College.
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